Asmodee has revealed the first slate of partner companies it has picked to make Lord of the Rings-themed board games and accessories, six months after becoming the steward of the hugely lucrative Middle-earth licence for the tabletop.

Endeavor: Deep Sea co-publisher Grand Gamers Guild, Ascension publisher Stone Blade Entertainment, and Play to Z, the board game publisher created by Z-Man Games founder Zev Schlasinger, have all been selected by Asmodee to produce new Lord of the Rings titles.

They are joined by dice and tabletop accessories maker Sirius Dice, and Game Toppers, which announced separately that it will be creating Lord of the Rings-themed gaming tables, mats and other accessories.

Individual projects from most of those publishers are still under wraps, although last month Stone Blade announced it would be bringing a Lord of the Rings-themed version of its Ascension deckbuilding game to Gamefound.

Asmodee has had an impressive run of success with Lord of the Rings-themed releases in the last couple of years, with games including 7 Wonders Duel-reworking Duel for Middle Earth, The Fellowship of the Ring – Trick-Taking Game, and Matt Leacock’s pandemic-inspired Fate of the Fellowship all picking up both critical acclaim and a string of awards.

The board game giant was previously the sister company of Middle-earth Enterprises when both businesses were owned by video games major Embracer Group, before Asmodee was spun off as an independent operation early last year.

When Asmodee was given power over the tabletop licence by Middle-earth Enterprises last October, the initial reaction from some publishers was that they would struggle to get a look in, with Asmodee likely to reserve the best opportunities for Lord of the Rings releases for itself.

Speaking to BoardGameWire a couple of weeks after Asmodee became manager of the licence for tabletop, however, Luke Peterschmidt – the tabletop veteran tasked with running the Middle-earth operation at the company – was at pains to quash that line of thinking.

He said at the time, “Our job is to make the right number of Middle-earth games at the right pace, so that every game has space to breathe, and there is a Middle-earth game or gaming accessory for every type of game.

“That’s the mission, and no part of that mission says, ‘and Asmodee makes all the games’.”

He added, “It is absolutely fair to have that thought in your head, and it’s our job to prove that thought wrong. And, I mean, literally nothing I say, I think, could convince anybody other than action. So yeah, it’s got to be the action, we’ve got to follow it up.”

In a statement announcing the first slate of partner companies, Peterschmidt said, “There may be The One Ring to rule them all, but it takes many publishers to satisfy the gaming needs of The Lord of the Rings fans and I’m sure each of our partners are going to do their part in that quest.”

Asmodee’s own Lord of the Rings-themed releases this year are currently set to include The Lord of the Rings: The King’s Gambit, which its studio Space Cowboys is developing in partnership with Restoration Games.

That title is a reimagining of turn-of-the-millennium Avalon Hill release Star Wars: The Queen’s Gambit, which is based around four battles that take place during the events of Star Wars film The Phantom Menace.

Publishers interested in pitching a Middle-earth game to Asmodee can do so by emailing METTGlicensing@asmodee.com.

The post Asmodee unveils first slate of publishers picked to make new Lord of the Rings games first appeared on .

Osprey Games, the UK publisher of tabletop titles including the critically acclaimed Undaunted series, is shutting down its board and card games operation to refocus on wargames and RPGs.

A statement from the company said Osprey’s owner, the multinational book giant Bloomsbury Publishing, had made the “difficult decision” to sell the board and card game line as part of a “strategic refocusing” on book publishing, adding that the move was “not a decision taken lightly”.

The company said it would not commission any new board or card games, but would continue to release, sell and license upcoming games according to its existing schedules while Bloomsbury hunts for a new owner for its board games.

BoardGameWire understands from two sources that Bloomsbury hopes to find a buyer willing take on the existing board and card game team in addition to its catalogue of titles, but the firm is yet to publicly comment on the sale process.

Osprey Games was launched in 2015 as part of Bloomsbury arm Osprey Publishing, which had a decades-long history of creating military and historical information and reference books before beginning to publish wargaming rulebooks in 2008.

The gaming arm’s early successes included Peer Sylvester’s The King is Dead and The Lost Expedition, as well as popular titles such as Hal Duncan and Ruth Veevers’ design Cryptid and the second edition of Martin Wallace’s London.

Those releases were followed by the high-profile success of the Undaunted series of deckbuilding wargames from David Thompson and Trevor Benjamin and the Imperium games from Nigel Buckle and Dávid Turczi.

Osprey also gained a reputation for taking chances on a range of titles with intriguing mechanisms and designs, such as Sylvester’s area control and trick-taking hybrid Brian Boru, highly asymmetric area control title Crescent Moon, card-based strategic wargame Battalion: War of the Ancients and small-box, quick-playing conflict title General Orders: World War II.

Speaking to BoardGameWire, Sylvester said the sale news had come as “a bit of a bombshell”, adding that he wasn’t aware of any problems at Osprey which pointed to a possible sale.

He said, “I dont think the decision has anything to do with how the games have sold. From what I see, there are some strong titles, like The King is Dead (which is still selling well), Undaunted, and apparently also Lost Expedition. So it’s a decision made from the parent-parent-company at Bloomsbury.

“Working with Osprey was perhaps the defining moment of my ‘career’ as a game designer. First: they always had great developers there, which was fun to work with. Brian Boru wouldn’t be as good as it (hopefully) is without the team at Osprey.

“Also, Lost Expedition was turned into a hit partly because of the great idea to hire [comics creator and illustrator] Garen Ewing. So they elevated my games, but they also published them in the first place, which helped me getting a name and contact in the industry.

“I really don’t know if I would continue working on games as much as I did, if I wouldn’t have worked with them. So I owe them a lot.

“The news of the potential sale therefore makes me quite sad. I just hope the team keeps being around in some form, so I can keep working with them.”

David Thompson, the co-designer of the Undaunted series and fellow Osprey titles War Story: Occupied France, Line of Fire: Burnt Moon and the General Orders games, told BoardGameWire, “I’ve worked with Osprey for the last 14 years. Over that time, they’ve grown to be like a family to me.

“It was over a decade ago that Duncan Molloy, then the lead of the Osprey Games board game division, took a chance on a fledgling designer and signed what would eventually go on to be Undaunted: Normandy. Over the next decade I had the opportunity to collaborate with Duncan, Filip Hartelius, Anthony Howgego, Jordan Wheeler, Rhys Ap Gwyn, and Luke Evison on the editorial staff.

“Each and every one of them are incredibly talented people, and it was through their shepherding that games like the Undaunted series, General Orders, and War Stories: Occupied France came to be. And I would be remiss if I did not mention Emily Neat, Pete Ward, Benji Corless, Benjamin Thorne, and George Barker from the marketing staff and Gareth Clarke for his graphic design.

“Amazing people, each and every one. Over the years I’ve partnered with about 15 board game publishers, but the folks at Osprey will always hold a special, unique place in my heart.” 

Fellow board game designer Ellie Dix, whose tapestry-themed worker placement design Threaded could prove one of the last published by Osprey Games, said she also did not know what had provoked the decision.

Dix told BoardGameWire, “I’ve loved working with Osprey. They’ve been absolutely brilliant. Honestly a dream to work with. They’ve taken so much care with Threaded and done such a great job to bring it to life. I’m very sad about the decision to sell.”

The news comes a month after Bloomsbury, which has a stock market valuation of almost £500m, announced it was “streamlining its structure for further growth”, which included a reorganisation of the company’s editorial divisions and the loss of about 55 jobs.

That restructuring follows Bloomsbury’s sales doubling from £185m to £361m over the last five financial years, with profits more than doubling to £48.8m in the same time.

No mention of Osprey was made in the restructuring announcement, or in Bloomsbury’s interim results announced in October last year, which revealed revenues of £160m and profits of £24m in the six months to August 2025.

Osprey Games’ slate of releases for 2026 is currently set to include Undaunted 2200: Revolution, Crab Rage and two Warriors of Athena titles, while the company will be at UK Games Expo later this month demoing Threaded, Flip Pick Towers and Rattlesnake.

The post Undaunted publisher Osprey’s board game operation to be sold off by owner Bloomsbury Publishing first appeared on .

Root publisher Leder Games has unveiled four new hires as it continues to rebuild from a staff exodus earlier this year that included star designer Cole Wehrle and style-defining artist Kyle Ferrin.

The Minnesota-based publisher has brought in experienced operations director Johnny Dale as executive director, who will take on responsibility for day-to-day operations, and former Trick or Treat Studios graphic and production designer Jody Henning as senior graphic designer.

Jesse Wertz, who previously worked in operations and finance in the software and banking sectors, has been brought in as director of operations, while Adam Jury has been hired as a graphic designer.

The hires come four months after Wehrle, who also designed hits including Arcs and Oath while at Leder, and Ferrin left to launch Buried Giant Studios with Wehrle’s brother Drew and former Leder director of operations Ted Caya, who exited the company last December along with his design for the company’s now axed Kickstarter Take.

Leder agreed to sell Arcs and Oath to Buried Giant as part of the shake-up, while keeping hold of its huge-selling star title Root – a game which despite its complexity has broken out of the hobby game bubble and onto the shelves of major retailers such as Walmart and Target.

Other Leder staff who moved across to Buried Giant included Josh Yearsley, who designed the most recent Root expansion Homeland, senior graphic designer Pati Hyun, event coordinator and community manager Matt Martens and graphic designer Megan Ganey.

That left Leder with a design and development team comprising company founder Patrick Leder – the co-creator of its debut release Vast: The Crystal Caverns and co-designer of multiple Root expansions – Nick Brachmann, who has worked on expansions for Root, Ahoy and Fort, and solo game design specialist Liz Davidson.

Leder named Davidson as the company’s new creative director in February, while former customer support coordinator Andrea Francisco has become a junior game developer at the studio, and Alita Robertson has been promoted from production assistant to producer. The company also brought in Tyler Exsted as a game developer two months ago.

New Leder executive director Dale has had a long career in director roles across advertising, media and pharmaceutical companies – and has also spent many years running the popular Eize Basa social media account, in which he jokes about board gaming and other subjects.

Dale initially announced he had been hired by Leder on his Eize Basa BlueSky account on April 1, which given the nature of the account was widely laughed off as an April Fool’s Day prank.

Speaking of Dale’s hire, Patrick Leder told BoardGameWire, “Bringing Johnny on as executive director is a perfect fit. He’s spent his career building and leading teams like ours, he’s passionate about board games, and anyone who knows him knows how creative he is.

“Johnny has been a friend of Leder Games for almost ten years now, so having him join the team feels completely natural for me, Liz, and the rest of the team.

“For me personally, having Johnny take over day-to-day operations will be a huge benefit: it means I get to spend more of my time doing what I love most, which is designing games.”

Dale added, “I’ve been a fan of Leder Games for a long time, so stepping into this role is a huge honor. I bring nearly 20 years of experience leading creative teams, and I look forward to putting that to work alongside Patrick and this group.

“We have a great pipeline of games in development, and I think players are going to be very excited about what’s coming.”

Some of those in-development games were recently showcased by Leder on its YouTube channel, with Alita Robertson showing off backyard soapbox racing game Kart, and Nick Brachmann demonstrating a prototype of a Taylor Shuss dexterity-based mech and monster battle design with the working title Creature Control.

In the same video Patrick Leder revealed he had been working on a lightly-asymmetric economic euro game called Fish based around catching, canning and delivering fish, which he said might be renamed to Trawl – something which would break a long tradition of Leder games all having four-letter titles.

The company’s last crowdfunding campaign in late 2024 saw it raise almost $2.5m from more than 27,500 backers for Root: The Homeland Expansion, which is slated to come to retail this year.

The post Leder Games staffs up after Buried Giant departures, brings in Johnny Dale to lead day-to-day operations first appeared on .

Greater than Games is officially back in the hands of two of its founders, a year after former owner Flat River Group laid off the vast majority of the board game publisher’s staff and suspended new projects amid US tariff uncertainty.

Paul Bender and Christopher Badell, who launched the business in 2011 alongside Adam Rebottaro, said they have reacquired the brand and the rights for the Sentinels of the Multiverse titles alongside their other original IP such as the Sentinel Comics RPG.

The deal comes just under a month after Flat River Group sold the Greater than Games brand name and the Sentinels range to digital developer Handelabra Games, which had spent more than a decade creating digital versions of the Sentinels of the Multiverse and its expansions – as well as for Greater than Games’ best known release, Spirit Island.

That acquisition was done “with the shared goal of returning both to the hands of people who know them best”, according to the company overview page on Greater than Games’ new website.

Spirit Island was not part of Handelabra’s deal, however, and is also not part of the revived Greater than Games line-up, company CEO Bender confirmed on a May 12 YouTube livestream celebrating the publisher’s return.

Two new titles have been announced by the company slated for a summer release, in the form of Badell-designed party game Digital Detox and social deduction title Crime Scene Tamperer, from Homestar Runner creators Mike and Matt Chapman.

Badell, GtG’s chief creative officer, added on the livestream that the publisher is “in the development process on a high-single-digit number of games right now”, while creative director Matthew Kroll added that the company has two “heavy hobby games in the pipeline” – one co-operative, one competitive.

Bender added on the livestream that Bottom of the Ninth designer Darrell Louder had recovered the rights to the game, which had previously been published by Dice Hate Me and GtG, “and would like us to publish it again, so we’re excited to do that”.

The relaunched company’s five-strong team comprises Greater than Games veterans SaRae Henderson as art director and chief operating officer Katie Nale, in addition to Badell, Bender and Kroll.

GtG’s third co-founder Adam Rebottaro, the original artist and co-creator of Sentinel Comics, has also rejoined as a “creative collaborator”, the publisher added, “helping to shape the next generation of Sentinel Comics releases alongside Badell”.

That will see the pair working together on new content in the Sentinels range, beginning with reprints of all existing definitive edition products for Sentinels of the Multiverse and then moving on to a new expansion, which is expected to come to crowdfunding in 2027.

Badell said in a press release announcing the GtG revival, “A year ago, I wasn’t sure I’d ever get to come back to this. Sentinel Comics has been the defining creative work of my life – fifteen years of stories, characters, and worlds I love – and watching it become uncertain was genuinely painful.

“So when I say this feels like coming home, I mean it. I’m back in the Multiverse. We all are. And we’re just getting started.”

Bender added, “Greater Than Games has always been about more than just publishing games — it’s about building experiences and communities.

“Over the years, the brand has grown and evolved, but its heart has always been with the people who create and play these games. Being able to steward that again is both a responsibility and a privilege.

“We’re excited to reconnect with our community and continue building something special.”

Greater than Games is also set to return to Gen Con this year, the publisher added, underscoring its rejuvenation as a business with a booth in the Entrepreneurs Avenue segment of Hall G – an area dedicated to companies making their debut at the event.

Flat River Group, a distribution and e-commerce specialist, had bought Greater than Games in 2021 after picking up private equity investment from Guardian Capital Partners a year earlier.

It followed that expansion into board game publishing with further deals for Canadian publisher Synapses Games and hobby game distributor Luma Imports in 2022.

Flat River sold Synapses Games to ACD Distribution last summer, at the same time as industry veterans Jules Vautour, Colin Young and Danni Loe left Flat River to revive Luma as part of ACD.

The post Greater than Games back in hands of founders Christopher Badell, Paul Bender, has multiple games in development first appeared on .

Co-op designs The Lord of the Rings: Fate of the Fellowship and Vantage put in a powerful showing in this year’s Golden Geek Awards, winning five categories between them and scoring another five runner-up successes.

Pandemic creator Matt Leacock’s spin-off creation The Lord of the Rings: Fate of the Fellowship took home the awards for medium game of the year, best thematic game and best co-op at the 20th annual Golden Geeks, which are selected and voted on by BoardGameGeek users from games released in the prior year.

Co-op open-world exploration game Vantage, designed by Scythe and Viticulture creator Jamey Stegmaier, won the innovative game prize and best solo game awards, while Jon Perry’s chaotic mascot racer Hot Streak triumphed in the best party game and light game of the year categories.

The much sought after heavy game of the year title went to Galactic Cruise, while The Old King’s Crown secured the artwork and presentation award, Toy Battle took best 2-player game and Star Wars: Battle of Hoth best wargame.

Fate of the Fellowship’s flurry of wins and runner-up nods continues a powerful run in the Golden Geeks for games based on JRR Tolkien’s seminal novels, with Bryan Bornmueller’s The Fellowship of the Ring – Trick-Taking Game and Antoine Bauza and Bruno Cathala’s Duel for Middle-earth both having secured wins in last year’s contest.

All of those Lord of the Rings titles were published by studios at board game giant Asmodee – which last October announced it had been named manager of the hugely lucrative Middle-earth licence for tabletop games and accessories.

Questions naturally abounded within the industry about what that would mean for other publishers hoping to create The Hobbit or Lord of the Rings-based titles – but Luke Peterschmidt, the tabletop veteran tasked with running the Middle-earth operation at Asmodee, sat down with BoardGameWire at Spiel Essen last year to outline his vision for the IP, what they want from publishers in terms of pitches, and how they hope to prove naysayers of the deal wrong.

No game based on The Hobbit or The Lord of the Rings had won a Golden Geek prior to last year’s awards, despite multiple nominations for Journeys in Middle-Earth in 2019, Battle of the Five Armies in 2014 and The Lord of the Rings: The Card Game in 2012.

Fate of the Fellowship winning the co-op award marked the second year running that a Lord of the Rings game has triumphed in the category, after Bryan Bornmueller’s The Fellowship of the Ring – Trick-Taking Game took home the prize in 2025.

Despite the high-profile successes of two co-operative titles in this year’s Golden Geeks, the results were less positive for co-op fantasy adventuring game Arydia: The Paths We Dare Tread – which failed to convert any of its six nominations into wins or runner-up placings.

Sci-fi and space-themed games were notably everywhere again across this year’s awards, continuing a trend from 2025 which ended in multiple wins for Arcs and SETI.

In addition to win for Star Wars: Battle of Hoth and Galactic Cruise, SETI’s expansion Space Agencies won expansion of the year award in this year’s Golden Geeks, while there were two runner-up places for Star Trek: Captain’s Chair, and runner-up nods for Moon Colony Bloodbath and Dune: Imperium – Bloodlines.

Elsewhere in this year’s awards, Dungeons of the Oak Dell won best print and play game, Board Game Hot Takes secured best podcast and Ark Nova took home the best digital app prize.

Speaking about Vantage’s multiple wins and nominations, designer Jamey Stegmaier – who spent about eight years designing and playtesting the title – told BoardGameWire, “I’m just happy for the opportunity to bring a little joy to people through our games, and I’m honored that my labor of love, Vantage, was able to do that for the people who selected it for the Golden Geek Awards.”

Fate of the Fellowship creator Matt Leacock said, “Designing The Lord of the Rings: Fate of the Fellowship was such a rewarding experience for me. I’m so pleased that players are continuing to enjoy it and using it to write their own stories with each other.

“So many things came together with this product: the creative direction, development, illustration, paper engineering, graphic design, sculpting, and marketing. I want to extend my congratulations to the entire team that brought it to life.”

The 20th Annual Golden Geek Awards results in full:

2-Player Game
Winner: Toy Battle
Runner-up: Tag Team
Runner-up: Star Trek: Captain’s Chair

Artwork & Presentation
Winner: The Old King’s Crown
Runner-up: Galactic Cruise
Runner-up: The Lord of the Rings: Fate of the Fellowship

Cooperative Game
Winner: The Lord of the Rings: Fate of the Fellowship
Runner-up: Vantage
Runner-up: Eternal Decks

Expansion
Winner: SETI: Space Agencies
Runner-up: Lost Ruins of Arnak: Twisted Paths
Runner-up: Dune: Imperium – Bloodlines

Innovative
Winner: Vantage
Runner-up: Moon Colony Bloodbath
Runner-up: Hot Streak

Light GOTY
Winner: Hot Streak
Runner-up: Magical Athlete
Runner-up: Toy Battle

Medium GOTY
Winner: The Lord of the Rings: Fate of the Fellowship
Runner-up: Moon Colony Bloodbath
Runner-up: Vantage

Heavy GOTY
Winner: Galactic Cruise
Runner-up: Speakeasy
Runner-up: Luthier

Party Game
Winner: Hot Streak
Runner-up: Magical Athlete
Runner-up: Take Time

Print & Play
Winner: Dungeons of the Oak Dell
Runner-up: Rise of the Oak Dell
Runner-up: 52 Duels

Solo Game
Winner: Vantage
Runner-up: The Lord of the Rings: Fate of the Fellowship
Runner-up: Star Trek: Captain’s Chair

Thematic Game
Winner: The Lord of the Rings: Fate of the Fellowship
Runner-up: Galactic Cruise
Runner-up: Vantage

Wargame
Winner: Star Wars: Battle of Hoth
Runner-up: Toy Battle
Runner-up: Cross Bronx Expressway

Best Podcast
Winner: Board Game Hot Takes
Runner-up: Space-Biff! Space-Cast!
Runner-up: Five Games for Doomsday

Best Board Game App
Winner: Ark Nova
Runner-up: Cascadia Digital
Runner-up: MicroMacro: Downtown Detective

The post Co-op titles Fate of the Fellowship, Vantage dominate 20th Golden Geek Awards, Hot Streak scores pair of wins first appeared on .